Oman has managed to preserve much of its original culture, including the differing and colourful varaiations of regional dresses for women. Now more or less reserved for special occasions or hidden under black abayas, the traditional dress is being reinvented and influenced by the different regions brought together in workplaces and schools. The kind of jewelry once worn by women in Dhofar is now worn by women in Buraimi, ect. Designers of the "new " traditional dress are influenced by the other regions or other media, and this has always been the case in Oman, due to the import of Indian craftsmen and trade in Zanzibar, and a policy of welcoming foriegners as valued guests.
Traditional Muscat/a form of Al Batinah regional dress is constantly adapting, but has strongly influenced the perceived form of the 'national dress' along with the interior Ad Dakliyah region. Often worn for state occasion and by school children for His Majesty Sultan Qaboos bin Said, the Al Batinah and Ad Dakliyah dresses could most commonly be considered the majority Omani dress.Mistakenly referred to by expats and non-Omanis as "Hindu" or "Pakistani" influenced dresses, due to the predominance of the tunic top and sirwal, Omani pants, being tighter at the ankle, are in no way similar in cut to the churider pants of India, nor is the cut of the Omani tunic, though the embroideries of these dresses today, are predominately Pakistani and Indian due to the tailors originating from those countries in Muscat.
*In the 1900s it was quite common for the women of Muscat to wear the birqa face covering now more closely associated to Beduoin culture in other regions.*

Traditional Muscati dress consists of a knee length tunic dress and worn over sarwal /pants, a headscarf often fringed called waqayah or lihaf, worn under another longer rectangular scarf without fringe called the leso or a kanga by the Zanzibari/East African Omani population dependent on the textile used. Al Batinah and Ad Dakliyah Regional Dresses





Dresses of the Muscat and Al Batinah region also typically feature what are called zarrie laces running from the shoulder to the hem as a means of decoration, on the sirwal, and at the neck fastening of the tunic. This is also consistant from Muscat, Al Batinah, and Ad Daklihaya region/governates, only difference being Al Batinah and Ad Dakiliyah typically have a textile trimming the bottom of the tunic additionally called, I believe, the sinjaf??? Al Batinah usually use purple fabric to form the sinjaf traditionally,
while Ad Dakliyah tunic styles are hemmed on the longer side, mid calf rather than knee length. Ad Dakliyah dresses ALWAYS include the leso and the yarn fringed warqiyah/lihaf, and this is the Omani style you will most often spot OPNO sporting.uscat style, are also, now being influenced by Western and Indian culture, as these artistic expressions below bear testment to:





Dhofari dress: The outfit worn by Dhofari women is made up of three parts: the sarwal (the trousers), the loose dress which is shorter in the front and longer in the back called abuthail "father of the tail", the shayla/headcovering.

It differs from the regional dress of other parts of Oman, mainly because of the area's classical relation to the Hadramout Kingdom.



Traditionally, the sarwal were not worn in areas of Dhofar further away from Yemen, although they always WERE worn in Yemen. Today, however, women in Dhofar wear the sarwal when leaving the house.
For more casual occasions they are made of cotton and for special occasions velvet, silk or another more valued textile, and often decorated at the ankle hem.
Daily worn, the abuthail dresses are made of cotton with no embellishment and with a shorter tail hemline as exampled in the below, albeit, the below being a highly embellished example of the shorter, more practical day-wear hemlines.
For special occasions they are made of velvet and silk chiffons, and highly embellished with crystals or embroideries. 
Traditionally, black velvet was worn for the abuthail with edging embroidered with bright alternating coloured threads in pointed and straight lines. Though new styles have evolved, originally the dress had a square neckline with no sleeves, only openings in the side seams. With the back trailing behind and the front hemmed above the ankles, legend in Salalah says the dress evolved this way to erase a woman's footsteps. Of course, it wouldn't have been made of silk in the past, if the legend holds true;)
The headcovering in Salalah is traditional worn loose but is now securely wrapped, this having evolved from more Northern Omani styles. 

Having just covered one of the most often produced traditional dresses reinvented by designers on the runways, after the Dhofari dress, the other dress most worn by my Omani friends who aren't ACTUALLY from Dhofar or Sur in Ash Sharqiyah region, is the traditional dress of Sur, the suri.
Ashsharqiyah Dress from Sur is traditionally of the same function as Northern Omani dress, consisting of a tunic dress and sarwal pants, but the way that these items are embellished is distinct to the region. While other Omani regions typically embellish the bottom of the tunic and its chest, this region only embelished the garment on the wrists and on the bottom hem of the Sirwal. Additional embroidery for the chest panel was left for the suri.

The suri, better described pictorially in its traditional form in this post http://howtolivelikeanomaniprincess.blogspot.com/2010/12/suris-traditional-sharqiyah-dress.html is a loosely woven (traditionally black) wide sleeved overgarment, usually extensively embroidered along the chest, and often minutely on the sleeve hems. It is worn over the embroidered traditional tunic and pants by pulling the sleeve edges up and over on the head so that they criss-cross eachother. 
This can leave the arms either covered to the elbow, or to the wrist, depending on how far back on the head the garment it tied/pinned. It may also be used to fully envelop the face. It is very breathable, and easy to move in and usually covers to the feet or ankles, unlike the shorter tunic worn beneath.
Barka Al Jig Baluchi dress- There are no concrete facts as to the origin of this design but popular opinion is that it originated in the city of Barka in the Al Batinah region. However, there are numerous other cities where the Baluchi women also wear this style.Unlike traditional Baluchi dress with ruched siding seams at the waist, this dress is not worn beyond Omani borders, and the embellishments on the chest, wrists, and hem all demonstrate an Omani influence, including the two vertical lines that run from each shoulder to the hem.
This style dress usually includes a lihaf (headcovering), tighter sirawal than traditional Baluchi pants embroidered Omani style with laces and zarrie, and a mid-calf dress without set-in sleeves called a Juma. Similar to the Dhofari abuthail, it has side seam openings instead.
Although I could not find any pics of traditional Baluchi dress at this fashion show, I posted about it here:
http://howtolivelikeanomaniprincess.blogspot.com/2010/10/not-traditional-omani-dress-but-close.html

and this Muslim woman whose blog I enjoy also did: http://muhajabat.wordpress.com/2010/10/07/dress-of-the-balooch-women/

Beduoin Al Wusta Dress traditionally consisted of a long dress mainly embroidered at the wrists called a jalabiyia, with sirwal that could hardly be seen that were rarely embellsihed, and shayla/headscovering made from sheer black cotton mesh.
The burqa/facial mask is always worn by married women in Al Wusta region, and traditionally dark colours like indigo and black are preferred for the burqa.
Overtop of the jalabiyia a ghabaah is worn. A ghabaah is a fine black mesh covering worn over the full-length of the jalabiyia and unlike the Suri version, is not used to cover the hair and so, is much narrower in cut and unembellished traditionally. This covering is completely sheer but tends to protect the clothing underneath from being scratched by sand and dust.
*These are the runway fashion pics I could find thus far depicting regional dressing, though I will still endeavor to include regions thus far neglected.*


My husband's tribe used to war alot with the folks at Bahla. Why? I don't know really, nor does he, but I am sure it had to do with water or good farms or something. Either way, my husband's tribe is rather superstitious about the people of Bahla, mumbling alot of stories about witches and Jinn [which I love to hear because some of them are SOOOOOOOOo funny, and others give you chills] and attributing them to the ill will of those from Bahla towards those from [____]. Yet, being that the family farm sold dates in Bahla souq, it remains one of his favourite souqs.
Yet I am not allowed to go, because apparently it is not a souq Omani women frequent. Which just means I will go without him with my Western friends;). Best of both worlds, I tell you. MOP will ask us "What are you OPNO girls doing this weekend?" "Going to the tailor in such-and-such place near Bahla" we will recite innocently, then head down to the souq, where he will never hear tell of it, because those folks at Bahla don't care much for him anyways:).
Actually, I think that whole tribal blood feud thing died out with MOP's father, but I'll ask the folks of Bahla how it all started. MOP's stories of Jinn and witches, while colourful, are probably not the most historically accurate rendition of Bahla's tribal past. ***benefit of not going with MOP: we will be allowed to eat & drink things/foods cooked by the people of Bahla without fearing poison or spell craft***








The ruins of the immense fort for which Bahla is famous, with its walls and towers of unbaked brick and its stone foundations, is a remarkable example of this type of fortification and attests to the power of the Banu Nebhan. At the foot of the Djebel Akhdar (Green Mountain) lie the fortresses of Rustaq to the north, and Izki, Nizwa and Bahla to the south. These have all been capitals at some time in their history, and as a consequence have played an important role in the history of Oman. It was here that the Kharijite communities resisted all attempts at 'normalization' by Caliph Harun Al-Rashid, and put into practice their religious concepts, which were at once radically puritanical and democratic.
[Alot of that copied directly from Wikipedia :D] . OPNO wouldn't write "puritan". I tend to like Puritans so long as they are hypocritical persecuting 'Scarlet Letter" kinds :)
Not far from the capital of Oman, the oasis of Bahla owed its prosperity to the Banu Nabhan who, from the mid-12th to the end of the 15th centuries, imposed their rule on the other tribes. Only the ruins of what was a glorious past now remain in this magnificent mountain site.




However, should you dare to enter the village, and explore the narrow old lanes, they will lead you to the famous pottery. Many families still make their living out of designing and burning clay for Water buckets (to be seen all over the country), Flowerpots etc… 











The monuments of Bahla were in a critical state when it was inscribed on the World Heritage List. It had never been restored (thereby conserving a high degree of authenticity), and was not protected by any conservation measures. The terrace of the Friday Mosque had not undergone maintenance work, and it collapsed between 1981 and 1983, causing the arches to cave in and the wall plastering to be torn away, thus endangering the mihrab (prayer niche) in the building, which the Ibadite community had abandoned in favour of the new mosque. A detailed survey was made in 1977 by the Omani Archaeology Department, but restoration work did not make any headway until 1988. This was entirely financed by the Omani Government, with photogrammetric recording by the Mining Museum in Bochum (Germany). By 2005 it was virtually complete.

